By James Barter
A Medieval Knight.
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Additional resources for A Medieval Knight
11 (March 2010). pdf. 37. Coverage of TeslaCon 2 is available in the February 2013 issue of Cloud Orchid Magazine. com/2013/02/03/the-steampunk-special-issue -vol-2-released/. 38. pdf. A rhetoriC of steAmpunk ideology XX “There Is Hope for the Future” The (Dis)Enchantment of the Technician-Hero in Steampunk Mirko M. 1 Held annually in Leipzig, Germany, the event attracts more than twenty thousand enthusiasts for four days of concerts, films, readings, and workshops. Fans of Steampunk have joined the gathering in surprisingly large numbers over the past several years.
We only suggest that the Victorian aesthetic—from which the genre arose—tends to foreground UK productions in the popular imaginary. 27. It is for this reason that we suspect that Gilliam is (notably) absent from VanderMeer and Chambers, The Steampunk Bible. 28. We take this term from Adorno. See Theodor W. Adorno, The Stars Down to Earth and Other Essays on the Irrational in Culture, ed. Stephen Crook (New York: Routledge, 1994), 73–74. 18 Mirko M. Hall and Joshua Gunn 29. We discuss the magical, fetishistic quality of the gadget at length elsewhere.
Arthur B. Evans, “The Vehicular Utopias of Jules Verne,” in Transformations of Utopia: Changing Views of the Perfect Society, ed. George Shusser et al. (New York: AMS Press, 1999), 99–108. For Evans, these vehicles offer the utopian fantasy of unlimited mobility that could explore and colonize—in comfort and autonomy—a new world of possibilities. 15. See Jürgen Habermas, The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society, trans. Thomas Burger (Cambridge: MIT Press, 1989).