Adobe After Effects CS4 Classroom in a Book by Adobe Creative Team

By Adobe Creative Team

Visible results and movement portraits execs of all stripes - from broadcast execs to VFX supervisors to net designers who have to produce occasional video segments - will welcome the dramatically speeded up gains supplied within the brand-new After results CS4. This best-selling publication has been revised to hide all that is new during this improve: the facility to import 3D layers from Photoshop; the caricature impact that converts live-action photos into stylized imagery; Adobe gadget primary CS4, which allows you to preview and try animations for cellular units, and extra. Designed round a unmarried advanced venture that’s damaged down into conceivable classes, this book-and-DVD package deal mimics a real-world workflow - yet person who readers take on at their very own speed. The DVD includes the entire lesson documents and pictures readers have to whole the teachings.

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It simulates the result of modifying the exposure setting (in f-stops) of the camera that captured the image. 1 Locate the Exposure effect in the Effects & Presets panel by doing one of the following: • Type Exposure in the search box. • Click the triangle next to Color Correction to expand the list of colorcorrection effects in alphabetical order. 22 Lesson 1 Getting to Know the Workflow 2 Drag the Exposure effect in the Color Correction category onto the DJ_with_ effects layer name in the Timeline panel.

The way you view and specify time in After Effects depends on the display style, or unit of measure, that you use to describe time. By default, After Effects displays time in Society of Motion Picture and Television Engineers (SMPTE) timecode: hours, minutes, seconds, and frames. Note that the figures are separated by semicolons in the After Effects interface, representing drop-frame timecode (which adjusts for the real-time frame rate), but this book uses a colon to represent non-drop-frame timecode.

By default, the Timeline panel contains a number of columns and controls, as shown in the following figure: A B D C E F A. Composition name B. Current time C. Time graph/Graph Editor area D. Audio/Video Switches column E. Source Name/Layer Name column F. Layer switches 26 Lesson 1 Getting to Know the Workflow  Note: When you About the time graph The time graph portion of the Timeline panel (the right side) contains a time ruler, markers to indicate specific times, and duration bars for the layers in your composition.

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