By Barbara Kingsolver
Writer Barbara Kingsolver and her kin deserted the industrial-food pipeline to reside a rural life—vowing that, for 365 days, they’d basically purchase foodstuff raised of their personal local, develop it themselves, or learn how to dwell with no it. half memoir, half journalistic research, Animal, Vegetable, Miracle is a charming narrative that would open your eyes in 100 new how one can an outdated fact: you're what you devour.
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Additional resources for Animal, Vegetable, Miracle: A Year of Food Life (P.S.)
This happens in reverse in the ﬁrst lines of “Thinking of James Dean”: “Like a nickelodeon soaring over the island from sea to bay, / two pots of gold, and the ﬂushed effulgence of a sky Tiepolo / and Turner had compiled in vistavision” (CP 230). Again, the point is a kind of energized connection that strips famous names of established connotations, while highlighting others. This process comes together perhaps most clearly and hilariously in biographia letteraria: gertrude stein She hated herself because she wrote prose.
Families — Donna Dennis, “Excerpts from Journals” Rewrite someone else’s writing. Maybe someone formidable. 29 And had he lived beyond 1966, he would have seen it disseminated even more broadly. 30 If O’Hara’s work resisted characterization as the kind of literary masterpiece that is understood to drive the engines of literary production in arenas like the Norton Anthology of Poetry, and yet O’Hara was consumed and somehow reproduced by a broad and signiﬁcant range of poets, what, then, were the terms of this alternative transmission?
Obviously O’Hara’s power and authority did not simply evaporate in these newly conﬁgured relationships and sites. But their character did change. At his apartment, where most of this informal pedagogy took place, students like Tony Towle, Bill Berkson, Joe Ceravolo, Frank Lima, and Jim Brodey could watch O’Hara teach in his “natural habitat” — his own artwork and book collection replacing the supposedly neutral context of the seminar room. Towle says of his experience going to O’Hara’s apartment, listening to Satie and Prokoﬁev: “Between pieces, and between movements during the pieces, O’Hara was coming out with a dazzling array of comments.